Today we live in an age of instants; instant information, instant results, and instant gratification. As a result, history has become accelerated, abbreviated, and flattened into footnotes; due to society's short attention span and insatiable obsession with the current now. How I relate to this current interval of accelerated time; shapes, defines, and evolves the forms I create. Executed daily within a system built upon the rhythms, cycles, and patterns found embedded in my everyday existence, my work incrementally grows and matures as time passes. Within this process paint in the form of data becomes layered, removed, and reassembled through developmental levels of construction and reconstruction; allowing volumes of color to develop in space as each layered application of paint is built upon the previous. The order in which colors are applied and subsequently removed provide the laws of formal expression; enabling the works final aesthetic to become a reflection of its systemic construction. My chosen form of painting is spatial, unfolding in time; remaining half­ exposed and half ­buried in a constant state of equilibrium. Time exists within space, and space within slices of time. The nature of time is simply a sequence of linear events. How we choose to spend our time, defines how we're ultimately remembered in time.